what's happening with Lolo
LOLO @ Patronaat, Haarlem

INTERVIEW: LØLØ On Her First Headline Tour, Fans & Live Highlights

It’s been a few weeks since singer LØLØ wrapped up her first headline tour, You Turn Me On Tour. Just days after her incredible show in Haarlem, I had the chance to sit down with the singer to talk about the tour, her music, and the inspiration behind her songs.

Q: How was your last show in Haarlem, the Netherlands?

LØLØ: “Haarlem was amazing. I think it was such a great last show. The crowd was amazing, the energy was great. I loved the room, I loved the venue. But I woke up sick that day, and it was really scary for me because I thought, ‘Am I going to have to cancel the last show of my tour?’ I didn’t talk all day, and I canceled my VIP performance to save my voice. Thank God, adrenaline kicked in during the show, and I was able to sing. The first three songs I was terrified, but then I got through it. I wouldn’t have wanted such an amazing tour to end on a bad note.”

Q: How did you enjoy the rest of your European tour?

LØLØ: “I had the best time of my life. This was my first headline tour, so I didn’t know what to expect. I was so scared, like, ‘Is anyone even going to buy tickets? Am I going to perform to 30 people a night?’ But almost every show sold out, and the crowds were just the best. They were screaming the lyrics, and it was so fun. I think every artist says this, but European crowds are the best. There’s so much more energy and excitement.”

Q: What surprised you the most about headlining your first tour?

LØLØ: “I didn’t expect how much work it would be. When you’re the headliner, there’s no free time. You’re doing soundcheck, VIP performances, interviews, everything. I didn’t get to see much of the cities, except Haarlem. I went to Bagels & Beans—my favorite breakfast spot in the Netherlands. I guess I’m a creature of habit!”

Q: Was it difficult to bring your full stage setup to every venue?

LØLØ: “Yeah. For example, in Berlin, the stage was so small we couldn’t hang the backdrop. I had the robot and the yellow brick road, but not the full look. In Haarlem, though, it was such a big stage that we could hang everything perfectly. The picture ends on the backdrop and connects to the real-life yellow brick road. I was so happy because it looked exactly how I imagined it.”

Q: How do you maintain your energy on tour?

LØLØ: “I try to conserve my energy during the day, especially now that I’m the headliner. I’m singing an hour and a half every night, plus two songs during the VIP performances, so it’s a lot more than when I’m an opener. I often go on vocal rest and don’t talk, which means I have to type things on my phone or play charades with my band. I also try to chill out and find a good coffee shop in the morning.”

Q: What’s your go-to coffee order on tour?

LØLØ: “At Starbucks, my go-to order is an oat milk latte with brown sugar syrup. But in Europe, you guys don’t always have that, or the oat milk tastes a bit different. So I usually just get a regular latte. Honestly, European lattes are my favorite—the milk tastes so much better here than in Canada or the US. I don’t know why, but it’s just better!”

Q: What’s the most memorable thing a fan did on this tour?

LØLØ: “A lot of fans dressed up as Wizard of Oz characters. In Manchester, there were Dorothys, Scarecrows, and Tin Men. Someone in Germany gave me a Tin Man Funko Pop, and it’s now hanging in my room. I also got so many gifts—it’s insane. My mom and family couldn’t believe it when we opened them all.”

Q: Can you tell us about your latest single, “Don’t”?

LØLØ: “The song is about trying not to think about someone, even though you’re completely obsessed. I’d be running on a treadmill, telling myself I wasn’t thinking about him, but of course, I was. I tried everything—getting drunk, distracting myself—but it didn’t work. The twist? I’m dating him now! So, I didn’t listen to my own song.”

Q: Are there any songs you always perform live? Why those?

LØLØ: I always perform “junkie”. It’s funny because it’s not even one of my top-performing songs, but it feels so good to sing live. I also do ‘Debbie Downer’ because the energy is just so fun. It’s funny because I love writing sad, depressing songs, but on stage, I love performing the upbeat ones. I also always play ‘You Turn Me On, But You Give Me Depression’ and ‘Hot Girls in Hell’—they’re fan favorites, and I play guitar on those, which I love.”

Q: Your ballads often feel deeply personal. Do you have a song that means the most to you?

LØLØ: “Probably ‘Bill Hill’ because it’s about the fear of growing up and realizing life isn’t what you thought it would be. It’s real and scary but honest. Also, my ballads like ‘I Would Fix You If I Could’ and ‘Snow in Berlin’ are super personal. ‘Hot Girls in Hell’ was literally just a stream of consciousness—I sang what I was feeling, and it turned into the song.”

Q: Which artists inspire you the most?

LØLØ: “Green Day is my favorite band, so they’re my biggest inspiration. My album was also really influenced by Boygenius. Gus and I saw their set at Coachella, and it blew me away. It sparked so many ideas. I also love Julia Michaels’ songwriting—her lyrics feel like a conversation. And of course, Taylor Swift—she’s such a good storyteller.”

Q: Would you love to collaborate with those artists someday?

LØLØ: “Oh my God, I would die to collaborate with any of them. I don’t know if it’ll ever happen, but you never know!”

The show in Haarlem might be over, but LØLØ’s performance is one we won’t forget anytime soon. Check out our full concert review!

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Chrissy Costanza & VOILA @ Melkweg, Amsterdam

CONCERT REVIEW: Chrissy Costanza & VOILÀ A Perfect Match In Amsterdam

On Tuesday, November 26th, Chrissy Costanza and the band VOILÀ brought their Spin The Bottle tour to the stage at Melkweg Amsterdam. Chrissy, widely known as the lead singer of Against The Current, wasn’t performing with her usual band this time. Instead, she recently released a new EP and teamed up with the guys from VOILÀ for this tour. During the show, Chrissy shared that VOILÀ had produced her new EP—always fun to learn those behind-the-scenes details.

When I first heard these two acts were touring together, I wasn’t sure what to expect. I was curious to see how the show would unfold, but the entire performance felt cohesive. The evening kicked off with Chrissy and VOILÀ on stage together, performing the opening song. From there, they alternated throughout the show, with Chrissy and VOILÀ taking turns every three to four songs.

There were also several collaborative moments, including a joint performance of 7 Minutes in Hell.

The night was packed with audience interaction. Chrissy shared personal stories behind her songs, and at one point, a spin-the-wheel game was brought out on stage. Fans had the chance to spin the wheel during the concert, with the outcome determining a surprise song. During this show, someone from the audience was brought on stage to spin the wheel, leading to a special performance by Chrissy.

VOILÀ also had a beautiful moment with their song Long Story Short. The crowd lit up the venue with their phone flashlights. It was a magical moment.

Overall, I had an amazing evening. VOILÀ was fantastic, and their chemistry with Chrissy on stage was a joy to watch. It was clear that everyone was thrilled to be performing. I’ve added a few new songs to my playlist, and I can’t wait for both Chrissy and VOILÀ to return to the Netherlands soon.

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Bad Nerves @ Tolhuistuin, Amsterdam

INTERVIEW: Behind The Scenes With Bad Nerves On Tour

During their “Still Nervous” tour, Bad Nerves played their third show in Amsterdam. Before the concert, we had the pleasure of chatting with Bobby and Jon. We discussed the tour, the Netherlands, and their audience, as well as their latest album and the creative process behind it.

Strife Magazine: You guys just started your tour. How were the first shows?

Bobby: It was wicked, wasn’t it? The first show was in Greece, in Athens, and we’d never played there before. About 400 people showed up. It was such a beautiful place.

Jon: We also played Nijmegen yesterday. That was our first show in the Netherlands. Holland’s always been good to us. It was one of the first places that really got into our music, so we’ve always had a special connection here.

Strife Magazine: Recently, you guys released a new album, “Still Nervous.” What is your favorite track?

Bobby: I mean, I like them all, but if I have to pick one, I’d go with “Television.”

Jon: Haha, what a surprise! Mine is probably “Antidote.”

Strife Magazine: Can you tell us a bit about the writing process for those songs?

Bobby: Well, they’re both very different. “Antidote” was deliberately meant to be obscenely fast—almost too fast to actually play. That was kind of the joke, and then we had to figure out how to play it live. Drums are particularly crazy on that track, and there are small tricks to make it doable. It’s very drum-driven.

Jon: I’ve been playing it for a while now, and, honestly, I think I’ve just now started playing it properly. Haha!

Bobby: Yeah, it’s tough. Just plucking that fast for that long takes practice. On the other hand, “Television” is completely different. It was written in pieces over the course of months, with lots of experimentation. “Antidote” came together in a single day, but “Television” took about three months.

Strife Magazine: Has anything ever gone wrong playing those songs live?

Jon: We want to turn up and play really well—tighter than your average punk band—but we’re human. Mistakes happen, and we don’t take ourselves so seriously that we’re like, “That’s it, back to the drawing board.”

Bobby: We mess up all the time, but that’s just part of live music. It adds to the fun of it. If you take it too seriously and expect perfection, it’s no fun at all. Everyone makes mistakes. Sometimes someone will hit a weird note, and we’ll look at each other and laugh. That’s live music, and it makes every show unique.

Strife Magazine: And if you could cover any song from any artist, what song would it be?

Bobby: I mean, the song I would always like to cover probably be Radioactivity, Don’t Try, because that was one of the songs that made us start the band. Or anything by The Beatles.

Jon: Anything by The Ramones. Probably Betray Your Love to More of the World would probably be my choice.

Bobby: I don’t love that song. I like it. I don’t love it. I like Down to the Basement. That’s my favorite.

Jon: Or Bonzo Goes a Bittsburg.

Bobby: Oh, that’s what we – that’s the answer, ain’t it? Because we were actually gonna cover that.

Jon: Ramones, Bonzo Goes a Bit Bittsburg.

Strife Magazine: Did you guys had the change to cover it?

Jon: No. We’ve done a few Ramones covers. We covered Misfits as well. But when he went through a real stage of listening to every Ramones album back to back and we – I’m a massive Ramones fan anyway. And that song is, like, it gives you the chills, doesn’t it?

Bobby: It’s on the album Animal Boy.

Strife Magazine: With so many shows on the schedule, what challenges are you facing?

Jon: The biggest challenge is probably because, you know, we’ve played a lot of support sets. Those are about half an hour or 40 minutes, so it’s easier to keep the energy going. But when you’re playing for an hour, and the music is fast, and you’re getting a lot less sleep than normal, it’s tough. You’re at a venue a lot longer, and everything just takes more time.
Bobby: Staying healthy is important because when you go to bed at 2 or 3 a.m. every night, even if you sleep, you wake up tired, and then you have to do it all over again. It’s like trying to keep control of your mental and physical health.

Jon: For example, when we went to Greece, we played the gig at 11:30 p.m. and then had to catch a flight at 1 a.m. So we got off stage, had an hour, got picked up for the airport, and then flew home. We missed out on a night’s sleep before we even started this tour.

Bobby: After spending six or seven weeks in America, flying five times across the country and dealing with constant time zone shifts, it’s hard to stay healthy. Especially for our vocals and things like that.

Strife Magazine: How do you prepare for a show?

Bobby: Well, we just warm up, stretch yourself out a bit, and just try to get in the headspace of having to perform. It’s really fun, but there is an anxiety to it, which is great because the little nervousness you get is what keeps you on your toes.

Jon: The weird thing for me is, like, I’ll spend the whole day up until the point we go on stage thinking I can’t do this. Then I’ll step on stage. We’ll hit the first note, and it’ll be like autopilot. It’s fine, and it’ll just be like another day in the office.

Strife Magazine: Yesterday, you had a show in Nijmegen. What did you think of the Dutch audience?

Bobby: They were amazing—and tall! Haha.

Jon: Holland’s been great to us from the start. The people, culture, and food are all fantastic. It’s always one of our favorite places to play.

Bobby: I’d love to live here. Everything is so clean and organized. Compared to England, it feels like what England should be. Even the toilets are clean! We just love it here.

Strife Magazine: Lastly, outside of music, do you have any hobbies or ways to relax?

Jon: I like doing martial arts and going around abandoned, creepy buildings. I just love the history of the places, and it’s been a passion for a long time, seeing old asylums and churches all around the world. And documenting them because architecture today kinda sucks. There was some beautiful stuff made many years ago.

Strife Magazine: Do you also take your camera with you to document everything?

Jon: Yeah. Yeah. Although, sadly, Holland doesn’t have that many because everything gets developed very quickly over here. But, like, Germany, Italy is amazing for it. Italy is, like, because there’s a lot of religious stuff in it, and it’s all kinda, left as it was. So, yeah, that’s my two hobbies.

Strife Magazine: How about you Bobby?

Bobby: Well, I also like movies. I enjoy making videos and stuff, which is kind of part of the whole band thing. I guess that’s a hobby for me. I don’t have many other hobbies. I like walking too. God, that’s boring, isn’t it? I don’t know. Mostly just like making things. I like, you know, videos, obviously, music. I need to get some more physical. I’ve also been rock climbing for a while, which I really enjoyed.

Strife Magazine: Oh, really?

Bobby: Yeah, almost fell off a mountain. We hiked up the highest mountain in England called Scafell Pike.

Strife Magazine: That sounds dangerous!

Bobby: It was! We left really late, thinking we’d be fine. I think it’s supposed to take about five hours, but that’s if you’re used to it. We got to the top when it was already dark, and then we had to come down in the dark. It took us about ten hours to get up, and then about six more to get down, so a total of 16 hours!

Jon: I was out exploring, and he messaged me about what was happening. He even sent me a map and commentary of the situation. I was in a car park in Scotland, eating pizza, and laughing to myself while reading it.

Bobby: This is with my girlfriend as well, when we were, like, newly together. And this was our first sort of trip together. She came back from Brazil, and we went to this place. Having a near-death experience with somebody is quite a bonding experience, you know?

Strife Magazine: It does sound quite funny though.

Jon: It’s hilarious.
Bobby: It’s funny in hindsight, for sure.
Jon: I still sometimes think about it and just laugh to myself like a maniac.
Bobby: When we got back to the little place we were staying, we were both just, like, in shock at just how crazy it was.

Not long after, Bad Nerves took the stage at Tolhuistuin, and what a night it was. Want to hear more about the show? Check out our full concert review.

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Palaye Royale @ Poppodium 013 Tilburg

CONCERT REVIEW: Palaye Royale Light Up Tilburg With ‘Death Or Glory’ Tour

On Thursday, November 7th, Palaye Royale took the stage at 013 in Tilburg for one of the first shows of their ‘Death or Glory’ tour. Right from the start, it was an explosive opening, and the crowd went wild. The stage setup was very cool, designed to look like the front of a house, complete with street lamps—a nice touch!

From the very beginning, the band had a great connection with the audience. At one point, I heard a lot of excited reactions, and when I looked closer, I saw frontman Remington Leith standing on one of the bars in the middle of the crowd. It was amazing to watch!

The band had put together an awesome setlist, including plenty of songs from their latest release, Death or Glory. Other favorites were featured too, like No Love in LA, which was clearly a crowd favorite. As soon as the first notes hit, the audience burst into loud singing.

The show featured plenty of surprises, including giant balloons released into the crowd, confetti, and fireworks fountains on stage. But one of the coolest moments was when the frontman decided to crowd-surf over the audience in a rubber dinghy. It was fantastic! It’s clear he loves being close to the fans, as he did it not just once, but twice. On the second go, he fell out of the boat but was quickly hoisted back to the stage by the crowd, still surfing along.

They also made room for a few acoustic songs, offering a nice break and a chance for everyone to catch their breath. It was definitely needed, as the band kept their energy at maximum throughout the entire show, without ever letting the intensity drop.

It was fantastic to see the audience give that energy right back, with dancing, interaction, and even mosh pits.

As we reached the end of the show, there was a quick “we want more” moment, and the band came back for an encore with three more songs. One of them was Lonely, which began with Remington on the piano, and the rest of the band joined in. Once again, the crowd sang along with full passion, and another confetti moment added to the magic.

The night officially closed with Mr. Doctor Man, giving everyone one last chance to go wild. And the crowd definitely did! I have so much respect for Palaye Royale. They delivered a high-energy performance from start to finish, maintaining top quality the whole night through. Truly impressive.

I See Stars

Hot Milk

Palaye Royale

what's happening with Bad Nerves
Bad Nerves @ Tolhuistuin, Amsterdam

CONCERT REVIEW: Bad Nerves Concert Filled With Crowd Surfers

Bad Nerves have just kicked off their Still Nervous tour. They’ve already played two shows, and on Wednesday evening, November 6, the tour made its stop in Amsterdam.

The show started a little later than planned, but that didn’t dampen the mood. The atmosphere in the venue was lively, and everyone was excited. Suddenly, the lights dimmed, and the support act, Ultra Q, took the stage at Tolhuistuin. From the very first song, the crowd was fully engaged. Ultra Q proved to be an energetic opener, setting a good tone for the night ahead.

For much of their set, Ultra Q were backlit, so the audience mostly saw silhouettes, which gave their performance a cool, moody effect. Between songs, when the band chatted briefly with the audience, the lights came up, and we got a good look at them. Later in the show, the lighting improved, allowing us to see each band member more clearly on stage.

After Ultra Q‘s set, it was time. Bad Nerves came on stage, and right from the start, the crowd erupted into mosh pits. The energy in the room instantly skyrocketed. My favorite song on the setlist was Radio Punk—it was super catchy. This one’s definitely going on my playlist!

When you’re genuinely enjoying yourself, it shows on stage and in the crowd’s response. It was clear that Bad Nerves were having a fantastic time. The vocals were spot-on, and the band’s chemistry added a lot to the performance.

The atmosphere in the room was great; everyone was clearly having a blast, and there was a friendly vibe all around. Almost every song sparked a new mosh pit, whether initiated by the crowd or the band.

During the song Sorry, the band encouraged audience interaction, asking everyone to raise their hands and sway along with the beat. Watching from the balcony, it was a great view, and I imagine it looked just as awesome from the stage.

The band also played several tracks from their latest album, Still Nervous, which the audience loved. And I totally agree—it sounded fantastic!

In addition to mosh pits, some people in the crowd were also crowd-surfing. It’s fun to watch people put their trust in the hands of others. A few people even sat down on the floor to “row,” which was pretty amusing. I thought it was quite brave, considering the floor was sticky from spilled drinks by then.

Ultra Q

Bad Nerves

what's happening with Lolo
LOLO @ Patronaat, Haarlem

CONCERT REVIEW: High-Energy Night With LØLØ At Patronaat In Haarlem

On Sunday night, November 3rd, singer LØLØ took the stage at Patronaat in Haarlem, wrapping up her first European headline tour with an unforgettable show.

Her opening act, Gus, set the mood right away. From his first song, the atmosphere was lively, and his performance struck a nice balance between upbeat, party-like tracks and some more thoughtful, serious themes. He even covered Sabrina Carpenter’s Taste, and his chemistry with the rest of his band was great to watch. If you’re into indie and alternative pop, Gus is definitely worth a listen.

When LØLØ took the stage, the energy in the room lifted even more. A large backdrop with her name, inspired by The Wizard of Oz, echoed the theme of her latest album. She kept a playful, connection with the crowd throughout the show, but it was during Debbie Downer that she took the interaction further. Gus joined her on stage for a guest verse, and she invited two girls up to join her as “cheerleaders,” even tossing pom-poms into the crowd so more fans could join in on the fun.

Between songs, LØLØ shared the backstory behind a few of her tracks, giving the audience a bit of context. One recent release, DON’T!, quickly stood out to me, and after hearing it live, I knew it had to be added to my playlist—it’s a fantastic song. The setlist flowed well, balancing energetic tracks with softer moments. Like her opener, she added a cover to her set, delivering a rock version of Lorde’s Liability, which added a refreshing twist.

At the end of the show, there was a “we want more” moment, although it didn’t fully take off. LØLØ returned to the stage wearing a shirt with “Netherlands” handwritten on it—a unique piece that fans could later purchase as a single item at the merch table. She wrapped up with two final songs, closing out the night in a festive mood. It was a perfect way to end, and everyone left with a great feeling.

Gus

LØLØ