what's happening with TSS
TSS @ Melkweg, Amsterdam

INTERVIEW: TSS Talk Tour Life, Growth & The Album Ahead


On February 17, French band TSS played at Melkweg Amsterdam as part of their European tour. After the show, we caught up with vocalist Matthieu and drummer Hugo backstage. They spoke openly about the band’s shift from synthpop to metal, what it’s like to tour outside of France, and what listeners can expect from their upcoming debut album.

From synths to heavy riffs

TSS began in 2018 with a much lighter sound. “We were playing synthwave, synthpop—very poppy music,” Matthieu explains. “And we did that from 2018 to 2023.”

But last year, the band decided to make a change. “We kind of restarted the band and began playing metal,” he says. That shift led to the release of Would You Be My Therapy?, a song that went kind of viral on TikTok in December 2023.

Shortly after, TSS signed with Fearless Records. “Now we’ve just finished our first album, which comes out in June,” Matthieu adds. “And we’re on our first European tour. It’s crazy for us.”

Playing beyond home soil

Touring outside France is a first for TSS. “We’re used to playing small venues, maybe just a few shows a year,” says Matthieu. “So this is all new. Every night is wild—we’re playing for bigger crowds than we’ve ever seen.”

Despite the new settings, the band says fan interactions haven’t changed much. “People come up, say they enjoyed the set, ask for pictures or autographs,” Matthieu says. “We love that part.”

According to Hugo, fans in countries like Poland and Italy stood out. “They were incredibly responsive,” he says. Even their Paris show surprised them. “Usually it’s just the front row that’s into it,” Matthieu explains. “But this time, the whole venue was moving.”

Keeping control of the sound—and everything else

How do you stay true to your identity when shifting genres? For TSS, the answer lies in independence. “We’ve always self-produced our music,” Matthieu says. “We record, mix, and master everything ourselves. So whatever the style, it ends up sounding like us.”

While that DIY mindset still drives their work, the band isn’t ruling out collaboration. “We might keep producing the core ourselves, but eventually we’ll probably refine our songs with other producers,” Matthieu adds.

That DIY spirit extends well beyond the music. “Everything from music to social media—we taught ourselves,” Hugo says. “Photos, videos, artwork… we just learned by doing.”. When it comes to music videos, they work with directors—but the creative vision is all theirs. “We come in with mood boards, scene ideas, references. We already know what we want before we shoot,” Matthieu explains.

Even now that they’re signed to a label, nothing about their approach has changed. “They give feedback, sure,” says Hugo, “but we’re totally free. They trust us with the music, and we trust them with the rest.”

The debut album: contrast and range

With their album on the way, the band hints at a dynamic listening experience. “You can expect heavier sounds, but still pop-like choruses,” says Matthieu. “There are lots of moods—some songs are heavy, others are slow piano, and some feel like radio rock.”

As for the lyrics, many come from unexpected places. “Movies, anime, TV shows—sometimes a line just sticks with me and I turn it into a song,” Matthieu explains.

Two music videos are already in the works: one is set to release before the album, the other on launch day. The visuals follow the same contrast as the music. “Killing Me was inspired by 2000s horror films,” Matthieu says. “And Dead mixes medieval elements with modern gothic aesthetics.”

Writing on the road?

Touring and writing don’t really go together—at least not yet. “We’re in a van,” Hugo laughs. “No space, no time.”

Back home, there’s no fixed writing process either. “We once rented a house for two weeks to write,” Matthieu recalls. “It was the least productive session ever. So now we don’t force it. It just happens when it happens.”

Even their pre-show routine is simple: they set up their stage themselves, do a soundcheck, get dressed, and warm up. “And then we just look at each other and go, ‘Let’s go,’” Matthieu grins.

Looking ahead

As the tour continues, TSS is already dreaming a little bigger. “One of our goals is to headline a European tour,” Hugo says. “And reach more people with our music.”

There are more collaborations in the pipeline too. “We recently featured on a Windwaker song,” Matthieu says. “And soon we’ll release one where they feature on ours.”

They also teamed up with Japanese band CVLTE on Dead, and say there may be another track with them in the future.

“I just hope the album finds the right people,” Matthieu says. “That’s what matters most.”

what's happening with Silverstein

CONCERT REVIEW: Silverstein Turns the Melkweg into One Big Moshpit

On March 6, 2025, Silverstein took the stage in the main hall of the Melkweg in Amsterdam. I had never heard of the band before, but after listening to a few songs on Spotify, my curiosity was piqued.

The show opened with a video taking the audience back in time, showcasing the band’s early years and how many people doubted they would make it. As the final images flickered on the screen, the band kicked off their first song, immediately setting the tone for the night.

From the very first moment, they encouraged the crowd to start mosh pits, and the audience responded without hesitation. The energy in the room was high from the start and never wavered. The visuals on the screens added to the atmosphere, making the stage feel even bigger.

At one point, someone even lost their shoe in the pit. No idea if they ever found it again.

Musically, everything was tight. The vocals were on point, the chemistry between the band members was solid, and their interaction with the crowd made the whole experience even better. Between songs, short video clips were shown before they jumped straight back into the set.

I really have no complaints about this show. As someone who had never heard of Silverstein before, I had an amazing time. And I’ve already added a few of their songs to my playlist.

Check out the photos we took below:

Thursday

Silverstein

what's happening with Cage The Elephant
Cage The Elepgant AFAS Live Amsterdam

CONCERT REVIEW: Cage The Elephant Rock AFAS Live

Sunday, January 23, the moment had arrived. Cage the Elephant brought their Neon Pill Tour to AFAS Live.

The show kicked off strong with Broken Boy, and the vibe was instantly set. It was hard not to notice how the lead singer used the entire stage. He even mentioned that this was one of the sickest stages for him. Apparently, he had recently broken his leg, but luckily, he was fully recovered.

The stage design wasn’t overly elaborate, but it perfectly matched the atmosphere. There were warm lights behind the band and small platforms for some of the musicians. The drummer stood on the highest one, making him easy to spot throughout the show.

The crowd had been singing along all night, but when Trouble started, the energy really stepped up. Some people even had their own little dance moves to go with it.

Another thing that stood out was the number of phones—or rather, the lack of them. Usually, you see a sea of screens, but this time, it was pretty minimal. That changed the moment Ain’t No Rest for the Wicked began—suddenly, phones popped up like a wave as the crowd went wild.

There wasn’t a lot of talking between songs, but there was plenty of interaction through waves, cheering, and dancing. It was also nice to see such a mixed audience. It felt like a lot of younger fans had come with their parents, which was fun to see.

All in all, I really enjoyed the show. This is one of those bands that might actually sound even better live than on their recordings. So, if you ever get the chance to see Cage the Elephant live, I’d definitely recommend it.

Check out the photos we took below:

Cage The Elephant

what's happening with Set It Off
Set It Off @ Melkweg, Amsterdam

CONCERT REVIEW: Set It Off Take Over A Sold-Out Melkweg

Set It Off played a sold-out show at Melkweg on February 17th. Before they took the stage, the crowd was warmed up by TSS, Call Me Amour, and Point North. Each brought their own style, making sure the energy was already high. When it was finally time for Set It Off, The Final Countdown blasted through the speakers, building anticipation. The moment the band appeared, the room exploded. “You don’t need a warm-up,” shouted frontman Cody Carson. He was right – from the very first song, the crowd was all in. Lots of singing along, jumping, and mosh pits. The tempo was high, with the band squeezing in as many songs as possible during their time on stage.

Even though things moved fast, there was still plenty of interaction and quick conversations between songs. The audience was clearly having a great time – and so was I. There wasn’t a single moment where the energy dropped. Kill the Lights was one of those songs where you could feel the entire room come alive, with everyone singing at the top of their lungs.

One of the most fun surprises of the night came during I’ll Sleep When I’m Dead, when drummer Maxx Danziger and vocalist Cody Carson switched places – Carson took over the drums while Danziger stepped up as lead singer. Carson also took a moment to reflect on their journey at Melkweg, from playing in the smallest room to now selling out the biggest. He made it clear how grateful the band was for this moment, and it felt completely genuine.

Other standout moments? A noticeably diverse crowd and a guitarist who somehow managed to play the entire show while keeping his jacket on. No idea how he did it, but respect.

Everything came together perfectly: a solid setlist, an energetic crowd, and a band that was clearly having a blast. It was a great night.

Check out the photos we took below:

TSS

Point North

Set It Off

what's happening with Dropkick Murphys
Dropkick Murphys @ Ziggo Dome, Amsterdam

CONCERT REVIEW: Dropkick Murphys’ Night Of Music, Beer & Fistbumps

On January 29, Dropkick Murphys took the stage at the Ziggo Dome. I wasn’t entirely sure what to expect, but from the very first second, the energy was through the roof. No slow build-up, just full throttle from the start. The crowd was encouraged to start mosh pits, though these were mostly limited to the center near the barricade. The rest of the audience stuck to bouncing along, jumping, and the occasional beer shower.

One cool detail was the small platform at the front of the stage, where Ken Casey frequently stepped up to get closer to the audience. He handed out fistbumps left and right and constantly engaged with the crowd. Even when he was right among the fans, everything remained respectful—no pulling, no grabbing, just genuine enthusiasm from both sides.

A standout moment in the set was Curse of a Fallen Soul, which started as a ballad before suddenly switching into a fast, hard-hitting track. Another surprise was their cover of AC/DC’s It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll), which fit seamlessly into their performance.

As the night went on, the atmosphere became more lively. More beers were thrown, the mosh pits got more intense, and chants of “Let’s go Murphys!” echoed through the venue—something the band clearly enjoyed.

The music is fast and loud, but the energy is infectious. Even if you’ve never seen them live before, there’s plenty to enjoy. No frills, no over-the-top stage production—just a band doing what they do best: playing.

Gogol Bordello

Dropkick Murphys

what's happening with Lolo
LOLO @ Patronaat, Haarlem

INTERVIEW: LØLØ On Her First Headline Tour, Fans & Live Highlights

It’s been a few weeks since singer LØLØ wrapped up her first headline tour, You Turn Me On Tour. Just days after her incredible show in Haarlem, I had the chance to sit down with the singer to talk about the tour, her music, and the inspiration behind her songs.

Q: How was your last show in Haarlem, the Netherlands?

LØLØ: “Haarlem was amazing. I think it was such a great last show. The crowd was amazing, the energy was great. I loved the room, I loved the venue. But I woke up sick that day, and it was really scary for me because I thought, ‘Am I going to have to cancel the last show of my tour?’ I didn’t talk all day, and I canceled my VIP performance to save my voice. Thank God, adrenaline kicked in during the show, and I was able to sing. The first three songs I was terrified, but then I got through it. I wouldn’t have wanted such an amazing tour to end on a bad note.”

Q: How did you enjoy the rest of your European tour?

LØLØ: “I had the best time of my life. This was my first headline tour, so I didn’t know what to expect. I was so scared, like, ‘Is anyone even going to buy tickets? Am I going to perform to 30 people a night?’ But almost every show sold out, and the crowds were just the best. They were screaming the lyrics, and it was so fun. I think every artist says this, but European crowds are the best. There’s so much more energy and excitement.”

Q: What surprised you the most about headlining your first tour?

LØLØ: “I didn’t expect how much work it would be. When you’re the headliner, there’s no free time. You’re doing soundcheck, VIP performances, interviews, everything. I didn’t get to see much of the cities, except Haarlem. I went to Bagels & Beans—my favorite breakfast spot in the Netherlands. I guess I’m a creature of habit!”

Q: Was it difficult to bring your full stage setup to every venue?

LØLØ: “Yeah. For example, in Berlin, the stage was so small we couldn’t hang the backdrop. I had the robot and the yellow brick road, but not the full look. In Haarlem, though, it was such a big stage that we could hang everything perfectly. The picture ends on the backdrop and connects to the real-life yellow brick road. I was so happy because it looked exactly how I imagined it.”

Q: How do you maintain your energy on tour?

LØLØ: “I try to conserve my energy during the day, especially now that I’m the headliner. I’m singing an hour and a half every night, plus two songs during the VIP performances, so it’s a lot more than when I’m an opener. I often go on vocal rest and don’t talk, which means I have to type things on my phone or play charades with my band. I also try to chill out and find a good coffee shop in the morning.”

Q: What’s your go-to coffee order on tour?

LØLØ: “At Starbucks, my go-to order is an oat milk latte with brown sugar syrup. But in Europe, you guys don’t always have that, or the oat milk tastes a bit different. So I usually just get a regular latte. Honestly, European lattes are my favorite—the milk tastes so much better here than in Canada or the US. I don’t know why, but it’s just better!”

Q: What’s the most memorable thing a fan did on this tour?

LØLØ: “A lot of fans dressed up as Wizard of Oz characters. In Manchester, there were Dorothys, Scarecrows, and Tin Men. Someone in Germany gave me a Tin Man Funko Pop, and it’s now hanging in my room. I also got so many gifts—it’s insane. My mom and family couldn’t believe it when we opened them all.”

Q: Can you tell us about your latest single, “Don’t”?

LØLØ: “The song is about trying not to think about someone, even though you’re completely obsessed. I’d be running on a treadmill, telling myself I wasn’t thinking about him, but of course, I was. I tried everything—getting drunk, distracting myself—but it didn’t work. The twist? I’m dating him now! So, I didn’t listen to my own song.”

Q: Are there any songs you always perform live? Why those?

LØLØ: I always perform “junkie”. It’s funny because it’s not even one of my top-performing songs, but it feels so good to sing live. I also do ‘Debbie Downer’ because the energy is just so fun. It’s funny because I love writing sad, depressing songs, but on stage, I love performing the upbeat ones. I also always play ‘You Turn Me On, But You Give Me Depression’ and ‘Hot Girls in Hell’—they’re fan favorites, and I play guitar on those, which I love.”

Q: Your ballads often feel deeply personal. Do you have a song that means the most to you?

LØLØ: “Probably ‘Bill Hill’ because it’s about the fear of growing up and realizing life isn’t what you thought it would be. It’s real and scary but honest. Also, my ballads like ‘I Would Fix You If I Could’ and ‘Snow in Berlin’ are super personal. ‘Hot Girls in Hell’ was literally just a stream of consciousness—I sang what I was feeling, and it turned into the song.”

Q: Which artists inspire you the most?

LØLØ: “Green Day is my favorite band, so they’re my biggest inspiration. My album was also really influenced by Boygenius. Gus and I saw their set at Coachella, and it blew me away. It sparked so many ideas. I also love Julia Michaels’ songwriting—her lyrics feel like a conversation. And of course, Taylor Swift—she’s such a good storyteller.”

Q: Would you love to collaborate with those artists someday?

LØLØ: “Oh my God, I would die to collaborate with any of them. I don’t know if it’ll ever happen, but you never know!”

The show in Haarlem might be over, but LØLØ’s performance is one we won’t forget anytime soon. Check out our full concert review!