Black Veil Brides Announce 2024 Tour With Creeper, Dark Divine & Ghøstkid
A few days ago, it became apparent that Black Veil Brides were teasing something due to their suspicious social media activity and today at least part of the announcement has been made
In April and May of 2024, Black Veil Brides will embark on a big tour through the United States of America with support coming from Creeper, Dark Divine & Ghøstkid.
Tickets for these shows have gone on pre-sale right away, which you can use the code BVBARMY for. This Friday, regular tickets and VIP upgrades will come on sale. The tour is in partnership with the American Red Cross.
Check out the tour dates on the poster below and let us know if you are going to any of the shows!
Sum 41 Announce Final Double Album ‘Heaven :x: Hell’, Release New Single ‘Rise Up’
After long anticipation, Sum 41 have finally revealed the details of their upcoming double album, which will also be the band’s final album to ever release. After 27 years of being a band, Sum 41 are going out with a bang in the shape of a double album titled Heaven :x: Hell, which will be all yours on the 29th of March, 2024 via Rise Records.
On the new album, frontman and vocalist Deryck Whibley shared the following: “Once I heard the music, I was confident enough to say, ‘This is the record I’d like to go out on.’ We’ve made a double album of pop punk and metal, and it makes sense. It took a long time for us to pave this lane for ourselves, but we did, and it’s unique to us.”
In addition to the announcement of the album, the band have also released the second single off of the album titled Rise Up, which follows the popular release Landmines. Rise Up will be on the ‘Hell’ portion of the album and released with a music video which you can check out at the bottom of this page.
The album has a total of 20 songs, 10 on each side, which looks like this:
HEAVEN- 1. Waiting On A Twist Of Fate 2. Landmines 3. I Can’t Wait 4. Time Won’t Wait 5. Future Primitive 6. Dopamine 7. Not Quite Myself 8. Bad Mistake 9. Johnny Libertine 10. Radio Silence
HELL- 1. Preparasi A Salire 2. Rise Up 3. Stranger In These Times 4. I Don’t Need Anyone 5.Over The Edge 6. House Of Liars 7. You Wanted War 8. Paint It Black 9. It’s All Me 10. How The End Begins
About the band’s end, Deryck Whibley had the following to share: “I love Sum 41, what we’ve achieved, endured, and stuck together through, which is why I want to call it quits,” Deryck leaves off. “There were so many times we could’ve broken up. For some reason, we kept sticking it out. I’m proud of that. It’s the right time to walk away from it. I’m putting all of my energy into what’s ahead. This is going to be the biggest tour of our lives, and I want to make it the best show we’ve ever done. That’s it.”
Without further ado, check out the brand new music video for Rise Up right below and let us know if you are eager to catch the band on the road somewhere in the upcoming year.
Five Finger Death Punch Announce 2024 Tour With Ice Nine Kills
Five Finger Death Punch are hitting the road again to play shows for the European fans.
Between May and July, Five Finger Death Punch will embark on a massive trek through the UK & mainland Europe for a whole bunch of headliner shows, as well as festival appearances at Graspop Metal Meeting, Full Force Festival & more.
For the headliner shows, the band will be joined by Ice Nine Kills, which makes for a brilliant line-up.
Check out the announcement and dates below and let us know if you are excited to attend any of the newly announced shows.
⚠️ Europe! Five Finger Death Punch are heading back out on the road! Special Guest @ICENINEKILLS (headline dates)
🎫 Presale: December 12th @ 10:00AM CET 🎟️ On Sale: December 15th @ 10:00AM CET
CONCERT REVIEW: The Amity Affliction Give Metalcore Masterclass in Amsterdam
In the course of this calendar year, The Amity Affliction, the Australian metalcore sensation, made their mark on Dutch soil for the third time. Commencing the year in Eindhoven’s Effenaar, they graced the stage at Jera On Air during the summer, and, in a grand finale, held a packed performance in the largest room at Amsterdam’s Melkweg: Max.
Taking the stage with their latest album, Not Without My GhostsThe Amity Affliction treated an audience of approximately 1300 fervent fans to a set that spanned their entire discography. Drawing from their last six albums, the setlist featured gems such as Open Letter from the album Chasing Ghosts, marking the oldest inclusion in the lineup. This song, along with the titular track Chasing Ghosts (that was not played this evening), laid the groundwork for the band’s enduring popularity—a trajectory that soared with the release of the widely acclaimed Let The Ocean Take Me in 2013. Since then, the band has consistently expanded its musical horizons, steadily growing its fanbase with each successive release.
The concert served as a jubilant celebration of the band’s diverse fan community, catering to the varied tastes of everyone in attendance. Despite a brief departure from their metalcore roots in 2018 with the more melodic and experimental album Misery, the setlist still featured beloved fan favourites from that era, including Ivy (Doomsday) and Drag The Lake. Naturally, the latest albums, notably Not Without My Ghosts from 2023, received ample attention, with five of its tracks featured in the night’s lineup.
True to The Amity Affliction‘s signature style, the performance was a seamless, energetic flow of song after song, interspersed with minimal conversation. Enhanced by dynamic light effects and a captivating visual display, the moshpit reverberated throughout the night, creating an impeccable atmosphere. The band’s inherently heavy yet irresistibly catchy songs prompted a collective and enthusiastic chorus of Ahren Stringer’s vocal parts from the audience on each song.
For us, this concert marked the culmination of the year—a bookend that neatly mirrored its beginning with The Amity Affliction in Effenaar, Eindhoven. It was, without a doubt, the perfect way to commence and conclude our year.
Feel free to peruse some snapshots from the evening in the gallery below, and share your experiences if you’ve ever had the pleasure of witnessing The Amity Affliction live!
Architects Release New Single ‘Seeing Red’ With Music Video
Great news from the Architects camp, it seems that the new era has started, with the band releasing a brand new song Seeing Red, accompanied by a music video.
The new single hits 2 months before the band will hit the road in Europe, playing some of their biggest shows in mainland Europe to date. Later In 2024, Architects will grace the stage supporting Metallica on select dates.
Get excited for these massive shows by watching the music video for the brand new single Seeing Red right below and let us know your thoughts on Architects‘ latest.
CONCERT REVIEW: Hozier Soars To New Heights During Captivating Amsterdam Show
In a tremendous display of musical excellence, Hozier transcended his already soaring popularity in The Netherlands, captivating a massive audience of 17,000 at the illustrious Ziggo Dome. It was a monumental leap from his previous performances in the country, which had seen him command stages before 6,000 fans at the AFAS Live. This exponential growth in his fan base over the past few years attested to the undeniable charisma and musical brilliance that define Hozier’s artistry.
The evening promised an extraordinary experience from the outset, with a last-minute switch in the support act that saw the talented Birdy taking the stage. Despite the challenge of limited preparation time, Birdy’s performance was nothing short of enchanting. Her ethereal voice and adept piano skills resonated through the venue, setting the stage perfectly for the main event.
As Hozier, flanked by his skilled band, emerged under the spotlight, a palpable energy coursed through the audience. From the opening chords, a symbiotic relationship formed between the artist and his fans. The crowd eagerly participated in sing-alongs, rhythmic clapping, and the iconic sea of flashlights that illuminated the arena during the soul-stirring rendition of among others “Icarus,” where Hozier, armed only with his guitar, delivered a poignant and stripped-down performance.
The concert unfolded like a carefully curated journey, seamlessly weaving through slower ballads and high-energy anthems. The backdrop, adorned with mesmerizing nature-inspired displays, added a visual layer to the sonic spectacle. Each song was a chapter in an evolving narrative, punctuated by Hozier’s soulful vocals and the collective heartbeat of thousands of fans.
Approaching the climax of the set, Hozier, in a gracious gesture, stepped back, allowing his band members to shine individually. Their musical interlude was met with thunderous applause, a testament to the collective talent that comprised the ensemble. As Hozier reemerged into the spotlight, the opening chords of “Take Me To Church” echoed through the arena, eliciting an enthusiastic response from the audience. This iconic track, a cornerstone of Hozier’s discography, had become an anthem for many, amassing a staggering 2.2 billion streams on Spotify alone.
The resounding applause that followed resonated with the enduring impact of Hozier’s music. It was a moment that underscored the timelessness of a song that had served as the gateway for countless fans into the world of Hozier. The magic of hearing an anthem of such magnitude being sung by 17.000 voices was a testament to the communal power of music.
As the final notes echoed through the venue, it was evident that Hozier had not merely performed; he had orchestrated an immersive and unforgettable experience. The success of the evening was a microcosm of Hozier’s broader trajectory, a trajectory that seems destined for even greater heights with the recent release of his new album, ‘Unreal Unearth.’
In the hearts and minds of the audience, the hope lingered — a hope that Hozier would soon grace The Netherlands with his musicality once again, forging new memories and further solidifying his place as a musical luminary. The night at the Ziggo Dome was not just a concert; it was a testament to the enduring power of an artist who, with each performance, etches his name deeper into the fabric of musical history.
